The technique itself is made up of composite parts, and once you Gambale videos but transitioning to actual sweep-picking was another stepĮntirely. Have a kind of sweep-ish picking technique anyway from watching a lot of Frank I was always curious about the technique and thought it’d be useful to know. I know I certainly did, and although I was never a serious shredder, Sweep picking is probably one of those techniques you feel you should be able toĭo by now. I am really not much of a sweep picker as there is not much call for it in the blues genre □ Remember, keep practicing and have patience.If you’re an intermediate level, or even advanced guitarist, ![]() Well that’s another lesson over and I hope you gained something from it. Why not make your own sweep picking riff from the arpeggio section. I will be introducing some more sweep picking riffs soon but these two should keep you busy for a while, just take it slow and gradually build up speed. Take a look at the video for a slow and fast version of this riff. We simply reverse the pattern for our descent but make sure you also switch to up strokes. Now we play the third string twelfth fret with your first finger, then second string fifteenth fret and finally the first string seventeenth fret using your fourth finger. Using all down picks, start on the twelfth fret sixth string, then fifth string fourteenth fret, then fourth string sixteenth fret making sure you use your fourth finger for this note. Joe does his one handed legato technique on this riff but seen as though it’s a one note per string line, we can adapt it to sweeping very easily. Now onto riff B which is an adapted sweep from the Joe Satriani song “Mystical Potato Head Groove Thing” from the album “Flying In a Blue Dream”. Take a look at the video for a slow and fast version although the fast version is a tad sloppy, I have to practice more □ We now re-commence our sweep with up picks being careful of the slide from the fourteenth fret fourth string to the twelfth fret. Start off on the sixth string twelfth fret, then play the next two notes, now we pause our downward sweep and perform a slide from the twelfth fret fourth string, up to the fourteenth fret, we then re-commence our sweeping on the sixteenth fret third string, play the next two notes, then play the seventeenth fret first string with an up pick, then the fifteenth fret with a down pick. First up is riff A which is a Steve Vai riff but I can’t remember which song it comes from. Now for two real life sweep picking examples from the esteemed Steve Vai and Joe Satriani. ![]() Once you have this pattern at about 100bpm with no mistakes, it’s time to move onto the two riff examples below. Again this pattern is not meant to sound good, it’s just an introduction to sweep picking. Take a look at the video where I will show you a slow version. This pattern is great for building sweep coordination. Now we start our descent starting on the first string twelfth fret and play the next three notes with the same up pick. Starting off on the fourth string twelfth fret with a down pick, simply play the next three notes with the same down pick in one motion. Let’s take a look at the tablature example below, it’s a simple pattern to remember although it sounds terrible, and is merely being used as an easy introduction to sweep picking. The effect of sweeping the strings/notes is to greatly increase the speed at which one can play a given riff. ![]() Sweep picking is a technique used by taking a one-note-per-string arpeggio and playing it using all down strokes when ascending, and all up strokes when descending, so as to create a flowing downward/upward motion over the entire riff with your picking hand, rather than a constant down-up-down-up motion that is far less efficient in this circumstance.
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